Capture One Is A Powerful And Intuitive Software Made For Every Photographer, So Your Photo Editing Experience Is Smoother And More Precise Than Ever.
Key Features:
- Image Processing And Raw File Conversion
- Instant Tethered Capture And Live View
- Layered Workflow And Annotations
- Luminosity, Gradient, And Radial Masks
This Is Only Compatible With Sony Digital Cameras, Including The A9-Series, A7-Series, A6000-Series, A5000-Series, And Nex-Series Of Mirrorless Cameras, Rx-Series Of Compact Cameras, And Alpha Dslrs.
Comprehensive In Its Capabilities, Capture One Pro 12 From Phase One Is A Refined Raw Conversion, Photo Editing, And Tethered Shooting Solution Offering A Great Deal Of Control Over Both Production And Pre-Production Workflows. Version 12 Of This Software Focuses On Three Masking Tools For Making More Precise Selections. The Luminosity Mask Enables Making Selections Based On Lightness Of An Area, Making It Easier To Selectively Edit Just The Shadows Or Highlights Of An Image. And Inspired By Lens-Based Effects, Both Linear And Radial Gradient Masks Can Be Used To Produce Smooth Transitions And Gradations Similar To Graduated Filters Or Vignetting Effects. Complementing These Editing Capabilities,
Capture One 12 Also Saw A Slew Of Updates In Regard To Its Interface, With A Revised Colour Scheme To Support Longer Editing Sessions, A Keyboard Shortcut Search To Help Expedite Switching Tools And Functions, And Support For Third-Party Plug-In Extensions To Accentuate Capture One’S Capabilities. These Updates Also Work In Concert With The Layer-Based Editing Workflow Adopted In The Previous Version, For Making Selective Edits And Local Adjustments With Greater Precision.
Balancing The Slew Of Additions, Capture One Pro 12 Also Maintains Its Vast Existing Set Of Editing And Production Features, Including The Ability To Work With Either Catalogs Or Sessions Types Of Organization, Configurable And Sortable Keywords, Compatibility With More Than 500 Individual Cameras And Raw File Types, And Rich Metadata Editing Capabilities. For Fine-Tuned Editing, A Range Of Curves And Colour Tools Can Be Used In Both Global And Local Methods, As Well As Reap The Benefits Of Working With Full Raw Colour Data.
When Files Have Been Converted To A Dng File Type, Capture One Can Interpret The File’S Colours As If It Were The Original File Type And A Revised Colour Editor Interface Now Enables Easier Masking And Selection Capabilities Based On Specific Colour Values. When Saving Files For The Web, A Redeveloped Re-Scaling Engine Works To Maintain The Original File’S Sharpness And Clarity At Smaller Resized Resolutions. Additionally, Benefitting Photographers Working Among A Team Or With Other Editors, Both Catalogs And Sessions Can Also Be Exported As Convenient Eip Files For Simplified Sharing Of Imagery.
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